Submissions from 2023
Ireland: Context - Sociopolitical Background, Tanya Dean
Submissions from 2021
Mogu and the Unicorn: Frederick May's Music for the Gate Theatre, Mark Fitzgerald
Submissions from 2020
Songs and the Soil, Mark Garry and Louise Reddy
Submissions from 2017
Gender Counts: An analysis of gender in Irish theatre 2006-15, Brenda Donohue, Ciara O'Dowd, Tanya Dean, Ciara Murphy, Kathleen Cawley, and Kate Harris
Sources and Style in Moore's Irish Melodies, Una Hunt
Submissions from 2015
Claude de France: Debussy's Great War of 1915, Arun Rao
Play and Participation in Contemporary Arts Practices, Tim Stott
Submissions from 2014
Inventing identities: The case of Frederick May, Mark Fitzgerald
Foreword to 'Memoir' by Journalist and Writer Tomás Bairéad, Ian Kilroy
Interview with Margaret Toomey, Mary Moynihan
Loving the Art in Yourself, Mary Moynihan
Submissions from 2013
Gerald Barry, Mark Fitzgerald
Submissions from 2012
Translation and Distortion of Linguistic Identities in Sinophone Cinema: Diverging Images of the ‘Other, Henry Leperlier
Submissions from 2011
Music in Alternative Spaces, Seán Mac Erlaine
Acting Different – Using Drama Workshops and Seminars to promote reconciliation, anti racism and anti-sectarianism, Mary Moynihan and Freda Manweiler
Submissions from 2008
Acting for Peace – The Effectiveness of Drama and Theatre as a Tool for Promoting Peace-Building and Reconciliation, Mary Moynihan
Submissions from 2006
Submissions from 2005
An Exploration into the Impact of Drama and Theatre on Policy, Mary Moynihan
Submissions from 2004
Death of a Mother, Mary Moynihan
Laughing Together : Community Based Theatre's Vital sense of Humour, Mary Moynihan and Paul Kennedy
Submissions from 2002
The Carnival King, Ian Kilroy
Submissions from 1994
A Musical Journey 1890-1993: From Municipal School of Music to Technological University Dublin, Jim Cooke