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Abstract

This paper is part of a larger study analyzing domestic soap operas and telenovelas in seventeen European countries, comparing their performance with that of imported products of the same kind, and examining their place not only within the televisual culture, but also within the broader social and political culture of their country.

Creative Commons License

Creative Commons Attribution-Noncommercial 4.0 License
This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License.

DOI

10.21427/D7BH9W

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