Submissions from 2018
James Connolly's Bloodstained Vest: Mediating Death and Violence in Commemorative Exhibitions, Siobhan Doyle
On the Exactitude of Big Data: La Bêtise and Artificial Intelligence, Noel Fitzpatrick and John D. Kelleher
Art Interventions and Disruptions in Financial Systems: an Interview with Paolo Cirio, Marisa Lerer and Conor McGarrigle
Insurgent Finances: An Interview with Gabriela Ceja and Fran Ilich, Marisa Lerer and Conor McGarrigle
The US’s Economic Promises Are Over: an Interview with Miguel Luciano, Marisa Lerer and Conor McGarrigle
Art in the Age of Financial Crisis, Conor McGarrigle and Marisa Lerer
Laboratoire Déberlinisation: Art, Finance, and the Legacies of Colonialism in Contemporary African Art: an Interview with Mansour Ciss Kanakassy, Conor McGarrigle and Marisa Lerer
Reiterating Asylum Archive: documenting direct provision in Ireland, Vukasin Nedeljkovic
When attitudes became toys: Jasia Reichardt’s play orbit, Tim Stott
Submissions from 2017
Delivering Design Fundamentals using relevant Learning Theories in the delivery of an Interior Design project at Third Level, Tracey Dalton
The Question of Fiction – Nonexistent Objects, a Possible World Response From Paul Ricoeur, Noel Fitzpatrick
Walking Code, Conor McGarrigle
How Things Grow: Gabriel Orozco’s Samurai Tree: Invariants (2005), Tim Stott
Submissions from 2016
PIVOT Dublin: A Discussion on the Bid for Dublin to Become World Design Capital, Barry Sheehan and Ali Grehan
Submissions from 2015
Criticality in Graphic Design, Clare Bell
And Or Not – the system, the body and time, Brian Fay
Preserving Born Digital Art : Lessons From Artists' Practice, Conor McGarrigle
Knowledge Management: Collaboration versus Concentration in Open Plan Workspaces, John Walsh
Submissions from 2014
Symbolic Misery and Aesthetics- Bernard Stiegler, Noel Fitzpatrick
Locative Histories: exploring the continued influence of early Locative Media Art, Conor McGarrigle
Submissions from 2013
Knowing Knowledge, Noel Fitzpatrick
Augmented Resistance: the possibilities for AR and data driven art, Conor McGarrigle
The Need for Close Looking, Tim Stott
Submissions from 2012
Buttering up the British: Irish Exports and the Tourist Gaze, Mary Ann Bolger
Word and Place in Irish Typography, Brian Dixon