Document Type
Article
Rights
Available under a Creative Commons Attribution Non-Commercial Share Alike 4.0 International Licence
Disciplines
6. HUMANITIES, History, Archaeology, Arts, Art history, 6.5 OTHER HUMANITIES
Abstract
The actions surrounding the display of images and artefacts in museums – collection, conservation, research and exhibition – are bound up with how the past is presented and remembered. These conditions and decisions relating to exhibitions are largely invisible to viewers who are confronted with the apparent completeness of an exhibition display. By conducting a historical and visual analysis of the bloodstained vest of political leader James Connolly, this article uncovers how this artefact has become a relic of historical violence due to the way in which particular aspects of its configuration, form and trajectory have been manipulated in order to elicit powerful emotional responses from the exhibition’s viewers.
DOI
https://doi.org/10.21427/hy06-xh24
Recommended Citation
Doyle, S. (2018) James Connolly's Bloodstained Vest: Mediating Death and Violence in Commemorative Exhibitions' in Abraham, Florin and Kiss, Réka Földváryné (eds) (2018) Remembrance and Solidarity Studies in 20th Century European History. 46-59, DOI: 10.21427/hy06-xh24
Included in
Military History Commons, Museum Studies Commons, Other History Commons, Political History Commons, Public History Commons
Publication Details
REMEMBRANCE AND SOLIDARITY Studies in 20th Century European History (No.6)
The issue is devoted to the diverse aspects of violence in 20th-century European history. It features two distinct contribution categories: studies and essays. The research papers showcase the complexity and multiple perspectives from which the phenomenon of violence can be studied. The second category is the synthesis of the most important lectures presented at the European Remembrance Symposium, 'Violence in 20th-century European history: commemorating, documenting, educating', Brussels, 2017