Document Type
Dissertation
Disciplines
Performing arts studies, Theatre science, Musicology
Abstract
The fulcrum of this thesis is operatic role preparation and execution, an investigation into how the conscientious singer-actor can ‘become’ the character of ‘Manon’ in Giacomo Puccini’s 1893 opera, Manon Lescaut. Adopting a multi-stranded research strategy, encompassing traditional methodologies, a series of lived experience interviews with international operatic practitioners, and a survey of live performances in 2023–2024, the actuality of performing this complex role is considered, with recommendations and conclusions drawn from a multiplicity of sources.
Recommended Citation
Oman Farren, Sandra, "Puccini’s Manon: A Holistic Approach to Role Preparation and Execution" (2025). Doctoral. 125.
https://arrow.tudublin.ie/appadoc/125
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-Share Alike 4.0 International License.
Publication Details
Submitted in fulfilment of the requirements for Doctor of Philosophy degree, Conservatoire of Music and Drama, Technological University Dublin, 2025.