Submissions from 2020
Death of a Local Scene? Music in Dublin in the Digital Age, Caroline O'Sullivan
Submissions from 2019
Recollection and Social Status, Edward Brennan
Submissions from 2018
A Bollywood Commercial for Ireland: Filming Ek Tha Tiger in Dublin, Giovanna Rampazzo
Submissions from 2017
A Case Study for eCampus Spatial: Business Data Exploration, James Carswell, Thanh Thao Pham Ti, Andrea Ballatore, Junjun Yin, and Linh Truong-Hong
Submissions from 2016
Techno-Apocalypse: Technology, Religion, and Ideology in Bryan Singer’s H+, Edward Brennan
Socially Engaged Practice: a Reflection on Values, Theory and Writing, Alan Grossman and Anthony Haughey
Submissions from 2015
Death in Every Paragraph: Journalism & The Great Irish Famine, Michael Foley
Keeping the State’s secrets: Ireland’s road from ‘official’ secrets to freedom of information, Michael Foley
Submissions from 2014
Never Myles from the News: the 'Meta-Journalism' of Myles na gCopaleen, Ian Kilroy
Defining the Audience: Redefining Public Service, Ann-Marie Murray
Submissions from 2012
The Reporting of Edmond O’Donovan: Literary Journalism and the Great Game, Michael Foley
Submissions from 2011
How Journalism Became a Profession, Michael Foley
Migration and Intercultural Cinema in Ireland: A New Contemporary Movement?, Agnes Kakasi
Media Effects in Context, Brian O'Neill
Submissions from 2010
A Political Economy of Formatted Pleasures, Edward Brennan
A Political Economy of Formatted Pleasures, Edward Brennan
From Bruff to the Balkans: James David Bourchier, Michael Foley
Dislocations: Participatory Media with Refugees in Malta and Ireland, Anthony Haughey
Beyond Europe: Launching Digital Radio in Canada and Australia, Brian O'Neill
Sounding the Future: Digital Radio and CD-Quality Audio, Brian O'Neill
Radio Broadcasting in Europe: the Search for a Common Digital Future, Brian O'Neill and Helen Shaw
Through the Lens of A "Branded Criminal": the Politics of Marginal Cinema in India, Rashmi Sawhney
Submissions from 2009
Media Literacy, Brian O'Neill and Ingun Hagen
Submissions from 2007
Civil Control Of The Military And Police In Ireland: The Armed Forces, Tom Clonan
Civil Control of the Military and Police In Ireland: the Armed Forces, Tom Clonan
The Feel-Good Gulag: the value of the arts, Ian Kilroy
Apotheosis or Apparition? Bombay and the Village in 1990s Women’s Cinema, Rashmi Sawhney
Submissions from 2000
International Trends In The Deployment Of Female Soldiers, Tom Clonan
The Deployment of Female Personnel Within The Irish Armed Forces, Tom Clonan
The Integration And Recruitment Of Women To The Irish Defence Forces, Tom Clonan
The Promotion Of Women Within The Irish Armed Forces, Tom Clonan
The Training Environment Of The Irish Defence Forces:Integrated Training, Bullying and Sexual Harassment, Tom Clonan
Submissions from 1998
The History of Women in Combat, Tom Clonan