Document Type
Article
Disciplines
Performing arts studies, Musicology
Abstract
This thesis presents a practice-led investigation into bass clarinet performance, examining how orchestral and contemporary traditions may be explored as an integrated artistic practice. Grounded in a reflective, semi-autoethnographic methodology, the research traces the evolution of my performance practice through exploration of repertoire, modes of collaboration and critical reflection. Rather than seeking prescriptive models or definitive outcomes, the study embraces the exploratory nature of artistic research, allowing insights to emerge through practice and experience.
Situated within my ongoing work as a professional clarinettist, the research is informed by active engagement across orchestral, solo, chamber, and collaborative contexts. The thesis demonstrates that integration between orchestral and contemporary practices can emerge through reflection on common artistic goals. By positioning the performer-researcher and embodied practice at the centre of inquiry, the research suggests how collective awareness developed in orchestral contexts can inform contemporary practice, while openness, experimentation, and collaboration associated with contemporary music can enrich orchestral performance. In doing so, the thesis offers a reflective account of artistic development that contributes to ongoing discourse in practice-led performance research
DOI
https://doi.org/10.21427/696S-Q828
Recommended Citation
Burke, Patrick, "Bridging Traditions: An Exploration of Orchestral and Contemporary Bass Clarinet Performance Practice" (2026). Research Theses. 14.
https://arrow.tudublin.ie/aaconmusthe/14
Creative Commons License
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