Submissions from 2021
Metamorphosis, Microtones and Modes: Composition Portfolio with Commentary, Daragh Black Hynes
George Van Eps’s Harmonic Mechanisms for Guitar: Concepts and Influence on Jazz Guitar Education and Performance Practice, Jimmy Brennan
Submissions from 2019
SUNÉSIS: Evolving Aesthetic Discourse in Traditional Music Practices In Ireland, Nollaig Ó Fiongháile
Submissions from 2018
A Phenomenology of Collaboration in Contemporary Composition and Performance, Paul Roe
Submissions from 2017
A Contextual Analysis of Solo Bass Clarinet Music by Irish Composers, Marcella Barz
A Portfolio of Compositions, Anne-Marie O'Farrell
Submissions from 2016
Jane O’Leary and Her Approach to Contemporary Music for Clarinet and Bass Clarinet, Pablo Manjón-Cabezas Guzmán
Submissions from 2013
The Influence of Plainchant on French Organ Music after the Revolution, David Connolly
Books from 2011
Music Composition Portfolio, Daniel O'Neill
Submissions from 2009
A Case Study of Student Engagement in Collaborative Group Learning in a Blended Community Based (Service) Learning Module, John G. McGarrigle
Submissions from 2008
Etha Barror: Profile of a Successful Choral Conductor, Niamh McDonagh
Submissions from 2007
A Phenomenology of Collaboration in Contemporary Composition and Performance, Paul Roe
Submissions from 2003
Flute Performance and Pedagogy in Dublin 1950-2000, Ciaran O'Connell
Submissions from 2000
The Flute Sonatas of Thomas Roseingrave (1688-1766), Brid Grant
Submissions from 1999
The Flute Music of Luigi Zaninelli, Julie Martin Maisel
Submissions from 1998
The Melodies of Francis Poulenc: a Selective Musico-literary Study, Elizabeth Nolan
A Comparative Analysis of Instrumental Teaching Provision in the Republic of Ireland, Northern Ireland, Scotland and Denmark, Rachel Nolan