Author ORCID Identifier

https://orcid.org/ 0000-0002-1617-5599

Document Type

Book Chapter

Rights

Available under a Creative Commons Attribution Non-Commercial Share Alike 4.0 International Licence

Disciplines

Performing arts studies, Musicology, Dramaturgy

Publication Details

A Stage of Emancipation: Change and Progress at the Dublin Gate Theatre, edited by Marguérite Corporaal and Ruud van den Beuken, 151–66. Liverpool University Press, 2021

Abstract

This chapter addresses the contributions that Frederick May (1911-85) made to the Gate's productions of Padraic Colum's Mogu of the Desert (1931) and Denis Johnston's A Bride for the Unicorn (1933). As a young gay Irishman, May had to navigate a cultural infrastructure in which opportunities for composers were scarce, but at the Gate he was given the chance to develop his talents in a new field, as well as to experiment with musical forms in a high-profile setting.

DOI

https://doi.org/10.2307/j.ctv1kwxfgd.14


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