Document Type
Article
Rights
Available under a Creative Commons Attribution Non-Commercial Share Alike 4.0 International Licence
Disciplines
Sociology, Interdisciplinary
Abstract
This article discusses the role of taste among the senses using fictional depictions of taste, including Proust’s madeleine episode; Suskind’s Perfume: the story of a murderer; Esquivel’s Como aqua para chocolate; Harris’s Chocolate and Blixen’s Babette’s feast. The discussion also provides three historical case studies which highlight how an individual chef was identified against the odds by the individualistic taste of his or her cooking.
DOI
https://doi.org/10.21427/d7b760
Recommended Citation
Mac Con Iomaire, M. (2014). 'Identified by Taste: The Chef as Artist?' in TEXT (Special Issue Website Series No. 26) April 2014, DOI: 10.21427/d7b760
Publication Details
Mac Con Iomaire, M. (2014). 'Identified by Taste: The Chef as Artist?' in TEXT (Special Issue Website Series No. 26) April 2014
http://www.textjournal.com.au/speciss/issue26/MacConIomaire.pdf