Submissions from 2012
User Assisted Separation Using Tensor Factorisations, Derry Fitzgerald
Vocal Separation Using Nearest Neighbours and Median Filtering, Derry Fitzgerald
On Inpainting the Adress Algorithm, Derry Fitzgerald and Dan Barry
On the Use of Masking Filters in Sound Source Separation, Derry Fitzgerald and Rajesh Jaiswal
Shifted NMF with Group Sparsity for Clustering NMF Basis Functions, Rajesh Jaiswal, Derry Fitzgerald, Eugene Coyle, and Scott Rickard
Submissions from 2011
Upmixing from Mono : a Source Separation Approach, Derry Fitzgerald
User Assisted Source Separation Using Non-negative Matrix Factorisation, Derry Fitzgerald
Clustering NMF Basis Functions Using Shifted NMF for Monaural Sound Source Separation, Rajesh Jaiswal, Derry Fitzgerald, Dan Barry, Eugene Coyle, and Scott Rickard
Shifted NMF Using an Efficient Constant-Q Transform for Monaural Sound Source Separation, Rajesh Jaiswal, Derry Fitzgerald, Eugene Coyle, and Scott Rickard
Formative Assessment Practices in Built Environment Higher Education Programmes and the Enhancement of the Student Learning Experience, Lloyd Scott and Chrisopher Fortune
Submissions from 2010
Harmonic/Percussive Separation Using Median Filtering, Derry Fitzgerald
On the Use of a Dynamic Hybrid Tempo Detection Model for Beat Tracking, Mikel Gainza
Interactive Music Archive Access System, Martin Gallagher, Derry Fitzgerald, Dan Barry, Matt Cranitch, and Eugene Coyle
Interactive Music Archive Access System, Martin Gallagher, Mikel Gainza, Derry Fitzgerald, Dan Barry, Matt Cranitch, and Eugene Coyle
Audio Thumbnail Generation of Irish Traditional Music, Cillian Kelly, Mikel Gainza, David Dorran, and Eugene Coyle
Locating Tune Changes and Providing a Semantic Labelling of Sets of Irish Traditional Tunes, Cillian Kelly, Mikel Gainza, David Dorran, and Eugene Coyle
Exploiting Glottal Formant Parameters for Glottal Inverse Filtering and Parameterization, Alan O'Cinneide, David Dorran, Mikel Gainza, and Eugene Coyle
On the Appearance of a Positive Real Pole in the Results of Glottal Closed Phase Linear Prediction, Alan O'Cinneide, David Dorran, Mikel Gainza, and Eugene Coyle
Towards a Method to Determine the Glottal Formant Parameters of Voiced Speech without Time-Domain Reference, Alan O'Cinneide, David Dorran, Mikel Gainza, and Eugene Coyle
Submissions from 2009
The CEECs’ Banking System: A Risk Study during the Global Financial Crisis, Bernadette Andreosso-O'Callaghan, Lucia Morales, and Valentina Tarkovska
Localization Quality Assessment in Source Separation-Based Upmixing Algorithms, Dan Barry and Gavin Kearney
Musical Sound Source Separation using Extended Tensor Decompositions, Derry Fitzgerald
On the use of the Beta Divergence for Musical Source Separation, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle
Using Tensor Factorisation Models to Separate Drums from Polyphonic Music, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle
Automatic Musical Meter Detection, Mikel Gainza
Structural Segmentation of Irish Traditional Music using Chroma at Set Accented Tone Locations, Cillian Kelly, Mikel Gainza, David Dorran, and Eugene Coyle
Evaluating Ground Truth for ADRess as a Preprocess for Automatic Musical Instrument Identification, Joseph McKay, Mikel Gainza, and Dan Barry
Submissions from 2008
Time and Pitch Scale Modification: a Real-time Framework and Tutorial, Dan Barry, David Dorran, and Eugene Coyle
Automatic Detection of Optimal Azimuth Widths for Sound Source Separation using Adress, Dan Barry, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle
Violin Sound Quality Detection, Jane Charles, Derry Fitzgerald, and Eugene Coyle
Violin Timbre Space Features, Jane Charles, Derry Fitzgerald, and Eugene Coyle
Musical Source Separation using Generalised Non-negative Tensor Factorisation Models, Eugene Coyle, Derry Fitzgerald, and Matt Cranitch
A Real-time Framework for Video Time and Pitch Scale Modification, Ivan Damnjanovic, Dan Barry, David Dorran, and Josh Reiss
Machine Annotation of Sets of Traditional Irish Dance Tunes, Bryan Duggan, Mikel Gainza, and Padraig Cunningham
The Annotation of Traditional Irish Dance Music using MATT2 and TANSEY, Bryan Duggan, Brendan O'Shea, Mikel Gainza, and Padraig Cunningham
Structural Segmentation using Set Accented Tones, Cillian Kelly, Mikel Gainza, David Dorran, and Eugene Coyle
Single Channel Sound Source Separation Combining Delay Estimation and the AdRess Algorithm, Mark Leddy, Dan Barry, David Dorran, and Eugene Coyle
Linear Prediction: The Problem, its Solution and Application to Speech, Alan O'Cinneide, David Dorran, and Mikel Gainza
Interacting with Large Music Collections: Towards the use of Environmental Metadata, Gordon Reynolds, Dan Barry, Ted Burke, and Eugene Coyle
Pitch Tracking and Voiced/Unvoiced Detection in Noisy Environment using Optimat Sequence Estimation, Moshe Wasserblat, Mikel Gainza, David Dorran, and Yuval Domb
Submissions from 2007
Music Structure Segmentation using the Azimugram in conjunction with Principal Component Analysis, Dan Barry, Mikel Gainza, and Eugene Coyle
Key Signature Estimation, Matt Cranitch, Derry Fitzgerald, and Matthew Hart
Blind Source Separation and Automatic Transcription of Music Using Tensor Decompositions, Derry Fitzgerald
Resynthesis Methods for Sound Source Separation using Shifted Non-negative Factorisation Models, Derry Fitzgerald and Matt Cranitch
Automatic Bar Line Segmentation, Mikel Gainza, Dan Barry, and Eugene Coyle
Automating Ornamentation Transcription, Mikel Gainza and Eugene Coyle
Time Signature Detection by Using a Multi Resolution Audio Similarity Matrix, Mikel Gainza and Eugene Coyle
A Brief Introduction to Speech Synthesis and Voice Modification, Alan O'Cinneide, David Dorran, and Mikel Gainza
Towards a Personal Automatic Music Playlist Generation Alogorithm: the need for Contextual Information, Gordon Reynolds, Dan Barry, Ted Burke, and Eugene Coyle
Submissions from 2006
Sound Source Separation using Shifted Non-negative Tensor Factorisation, Eugene Coyle, Derry Fitzgerald, and Matt Cranitch
A Comparison of Time-domain Time-scale Modification Algorithms, David Dorran, Robert Lawlor, and Eugene Coyle
Shifted 2D Non-negative Tensor Factorisation, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle
Towards an Inverse Constant Q Transform, Derry Fitzgerald, Matt Cranitch, and Marcin T. Cychowski
Submissions from 2005
Single Channel Source Separation using Short-time Independent Component Analysis, Dan Barry, Derry Fitzgerald, and Eugene Coyle
Drum Source Separation using Percussive Feature Detection and Spectral Modulation, Dan Barry, Derry Fitzgerald, Eugene Coyle, and Robert Lawlor
Comparison of Signal Reconstruction Methods for the Azimuth Discrimination and Resynthesis Algorithm, Dan Barry, Robert Lawlor, and Eugene Coyle
Development of a Computer-Based Violin Teaching Aid: ViTool, Jane Charles, Derry Fitzgerald, and Eugene Coyle
Audio Time-scale Modification using a Hybrid Time-frequency Domain Approach, David Dorran, Eugene Coyle, and Robert Lawlor
Multi-channel Audio Time-scale Modification, David Dorran, Robert Lawlor, and Eugene Coyle
Generalised Prior Subspace Analysis for Polyphonic Pitch Transcription, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle
Non-negative Tensor Factorisation for Sound Source Separation, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle
Shifted Non-negative Matrix Factorisation for Sound Source Separation, Derry Fitzgerald, Matt Cranitch, and Eugene Coyle
Onset Detection using Comb Filters, Mikel Gainza, Bob Lawlor, and Eugene Coyle
Multi Pitch Estimation by using IIR Comb Filters, Mikel Gainza, Robert Lawlor, and Eugene Coyle
Onset Detection, Music Transcription and Ornament Detection for the the Traditional Irish Fiddle, Aileen Kelleher, Derry Fitzgerald, Eugene Coyle, Robert Lawlor, and Mikel Gainza
Introducing PVSPITCH: a Pitch Tracking Opcode for Csound, Alan O'Cinneide
Submissions from 2004
Sound Source Separation: Azimuth Discrimination and Resynthesis, Dan Barry and Robert Lawlor
Real-time Sound Source Separation: Azimuth Discrimination and Resynthesis, Dan Barry, Robert Lawlor, and Eugene Coyle
An Efficient Phasiness Reduction Technique for Moderate Audio Time-scale Modification, David Dorran, Eugene Coyle, and Robert Lawlor
Time-scale Modification of Music using a Synchronized Subband/Time-domain Approach, David Dorran and Robert Lawlor
Towards a Computer Assisted Violin Teaching Aid, Derry Fitzgerald, Jane Charles, and Eugene Coyle
Single Note Ornaments Transcription for the Irish Tin Whistle Based on Onset Detection, Mikel Gainza, Eugene Coyle, and Robert Lawlor
Harmonic Sound Source Separation using FIR Comb Filters, Mikel Gainza, Robert Lawlor, and Eugene Coyle
Onset Detection and Music Transcription for the Irish Tin Whistle, Mikel Gainza, Robert Lawlor, Eugene Coyle, and Aileen Kelleher
Submissions from 2003
An Efficient Audio Time-scale Modification Algorithm for use in a Subband Implementation, David Dorran and Robert Lawlor
Time Scale Modification of Music using a Subband Approach Based on the Bark Scale, David Dorran and Robert Lawlor
High Auality Time-scale Modification of Speech using a Peak Alignment Overlap-add Alogroithm (PAOLA), David Dorran, Robert Lawlor, and Eugene Coyle
Time-Scale Modification of Speech Using a Synchronised and Adaptive Overlap-add (SAOLA) Algorithm, David Dorran, Robert Lawlor, and Eugene Coyle
Independent Subspace Analysis using Locally Linear Embedding, Derry Fitzgerald and Eugene Coyle
Drum Transcription in the Presence of Pitched Instruments using Prior Subspace Analysis, Derry Fitzgerald, Robert Lawlor, and Eugene Coyle
Drum Transcription using Automatic Grouping of Events and Prior Subspace Analysis, Derry Fitzgerald, Robert Lawlor, and Eugene Coyle
Prior Subspace Analysis for Drum Transcription, Derry Fitzgerald, Robert Lawlor, and Eugene Coyle
Submissions from 2002
Sub-band Independent Subspace Analysis for Drum Transcription, Derry Fitzgerald, Robert Lawlor, and Eugene Coyle