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Submissions from 2018

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Art Interventions and Disruptions in Financial Systems: an Interview with Paolo Cirio, Marisa Lerer and Conor McGarrigle

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Art in the Age of Financial Crisis, Conor McGarrigle and Marisa Lerer

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Insurgent Finances: An Interview with Gabriela Ceja and Fran Ilich, Conor McGarrigle and Marisa Lerer

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Laboratoire Déberlinisation: Art, Finance, and the Legacies of Colonialism in Contemporary African Art: an Interview with Mansour Ciss Kanakassy, Conor McGarrigle and Marisa Lerer

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The US’s Economic Promises Are Over: an Interview with Miguel Luciano, Conor McGarrigle and Marisa Lerer

Submissions from 2017

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The Question of Fiction – Nonexistent Objects, a Possible World Response From Paul Ricoeur, Noel Fitzpatrick

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Walking Code, Conor McGarrigle

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How Things Grow: Gabriel Orozco’s Samurai Tree: Invariants (2005), Tim Stott

Submissions from 2016

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PIVOT Dublin: A Discussion on the Bid for Dublin to Become World Design Capital, Barry Sheehan and Ali Grehan

Submissions from 2015

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Criticality in Graphic Design, Clare Bell

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And Or Not – the system, the body and time, Brian Fay

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Preserving Born Digital Art : Lessons From Artists' Practice, Conor McGarrigle

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Knowledge Management: Collaboration versus Concentration in Open Plan Workspaces, John Walsh

Submissions from 2014

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Locative Histories: exploring the continued influence of early Locative Media Art, Conor McGarrigle

Submissions from 2013

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Knowing Knowledge, Noel Fitzpatrick

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Object Registry, Barbara Knezevic

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Augmented Resistance: the possibilities for AR and data driven art, Conor McGarrigle

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Forget the Flâneur, Conor McGarrigle

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The Need for Close Looking, Tim Stott

Submissions from 2012

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Buttering up the British: Irish Exports and the Tourist Gaze, Mary Ann Bolger

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Word and Place in Irish Typography, Brian Dixon

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Can Design Thinking Have a Social Life Through Networking?, Brenda Duggan

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Reconsidering the Avant-Garde Through Ritual, Clodagh Emoe

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Motionless Monotony: New Nowheres in Irish Photography, Colin Graham

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Disassembly, Todd McLellen

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On Creativity, Kerry Meakin

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Declan Clarke’s Fantasies, Tim Stott

Submissions from 2011

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The Designer Who Started a Print Revolution. Remembering Steve Jobs., John O'Connor

Submissions from 2010

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Reappraising the Disappearing Body and the Disembodied Eye Through Multisensory Art, Maria Coleman

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The construction of locative situations: locative media and the Situationist International, recuperation or redux?, Conor McGarrigle

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Critique of Archival Reason: Research Report, Tim Stott

Submissions from 2008

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Art in the Life World, Review, Niamh Ann Kelly

Submissions from 2007

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Finding Time: How it is Made Visual Artists Newsletter, Brian Fay

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Michael Craig-Martin, Review, Niamh Ann Kelly

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Loving Art, Tim Stott

Submissions from 2006

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Jaki Irvine, The Silver Bridge, Review, Niamh Ann Kelly

Submissions from 2005

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Design Principles: Attractive Bias Written Report, Peter Dee

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Design Principles: Continue with Critiquing :Written Report, Peter Dee

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Director Transporting Project: Written Report, Peter Dee

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Macromedia Director Audio Project Research - Written Report, Peter Dee

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Movie Web Project Written Report, Peter Dee

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My dog Patch! Website Written Report, Peter Dee

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Short Animation Project Written Report, Peter Dee

Submissions from 2003

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Lorna Simpson, Review, Niamh Ann Kelly

Submissions from 2002

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A survey of four contemporary sound artists, Mark Garry

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Susan Philipsz, Profile, Niamh Ann Kelly

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80:80 Office Furniture System Designed by John Walsh for Tangent Furniture, 2002, John Walsh