Submissions from 2023
Women’s Stories Transforming Understandings of Abortion, Amy M. Walsh
Submissions from 2021
Handouts don’t exist. Hustle or you don’t eat., Conor McGarrigle Dr.
Flesh and Circuit: Rethinking Performance and Technology, Conor McGarrigle and E L. Putnam
Affiliated issue with 2020 College Art Association Annual Conference, ‘flesh and circuit: rethinking performance and technology’ (Chicago, IL, USA), Conor McGarrigle Dr. and E.L. Putnam
Fear Of Missing Out: Performance art through the lens of participatory culture, Katherine Nolan
Submissions from 2020
Femagogical Strategies in the Art School: Navigating the Institution, Barbara Knezevic and Amy Walsh
Submissions from 2019
Systems in Play: Simon Nicholson's Design 12 Course, University of California, Berkeley, 1966, Tim Stott
Submissions from 2018
Art Interventions and Disruptions in Financial Systems: an Interview with Paolo Cirio, Marisa Lerer and Conor McGarrigle
Insurgent Finances: An Interview with Gabriela Ceja and Fran Ilich, Marisa Lerer and Conor McGarrigle
The US’s Economic Promises Are Over: an Interview with Miguel Luciano, Marisa Lerer and Conor McGarrigle
Art in the Age of Financial Crisis, Conor McGarrigle and Marisa Lerer
Laboratoire Déberlinisation: Art, Finance, and the Legacies of Colonialism in Contemporary African Art: an Interview with Mansour Ciss Kanakassy, Conor McGarrigle and Marisa Lerer
When attitudes became toys: Jasia Reichardt’s play orbit, Tim Stott
Submissions from 2017
The Question of Fiction – Nonexistent Objects, a Possible World Response From Paul Ricoeur, Noel Fitzpatrick
Walking Code, Conor McGarrigle
How Things Grow: Gabriel Orozco’s Samurai Tree: Invariants (2005), Tim Stott
Submissions from 2016
PIVOT Dublin: A Discussion on the Bid for Dublin to Become World Design Capital, Barry Sheehan and Ali Grehan
Submissions from 2015
Criticality in Graphic Design, Clare Bell
And Or Not – the system, the body and time, Brian Fay
Preserving Born Digital Art : Lessons From Artists' Practice, Conor McGarrigle
Knowledge Management: Collaboration versus Concentration in Open Plan Workspaces, John Walsh
Submissions from 2014
Locative Histories: exploring the continued influence of early Locative Media Art, Conor McGarrigle
Submissions from 2013
Knowing Knowledge, Noel Fitzpatrick
Augmented Resistance: the possibilities for AR and data driven art, Conor McGarrigle
Forget the Flâneur, Conor McGarrigle
The Need for Close Looking, Tim Stott
Submissions from 2012
Buttering up the British: Irish Exports and the Tourist Gaze, Mary Ann Bolger
Word and Place in Irish Typography, Brian Dixon
Can Design Thinking Have a Social Life Through Networking?, Brenda Duggan
Reconsidering the Avant-Garde Through Ritual, Clodagh Emoe
Motionless Monotony: New Nowheres in Irish Photography, Colin Graham
Disassembly, Todd McLellen
On Creativity, Kerry Meakin
Declan Clarke’s Fantasies, Tim Stott
Submissions from 2011
The Designer Who Started a Print Revolution. Remembering Steve Jobs., John O'Connor
Submissions from 2010
Reappraising the Disappearing Body and the Disembodied Eye Through Multisensory Art, Maria Coleman
The construction of locative situations: locative media and the Situationist International, recuperation or redux?, Conor McGarrigle
Critique of Archival Reason: Research Report, Tim Stott
Submissions from 2008
Art in the Life World, Review, Niamh Ann Kelly
Submissions from 2007
Finding Time: How it is Made Visual Artists Newsletter, Brian Fay
Michael Craig-Martin, Review, Niamh Ann Kelly
Loving Art, Tim Stott
Submissions from 2006
Jaki Irvine, The Silver Bridge, Review, Niamh Ann Kelly
Submissions from 2005
Design Principles: Continue with Critiquing: Written Report, Peter Dee
Macromedia Director Audio Project Research - Written Report, Peter Dee
Submissions from 2003
Lorna Simpson, Review, Niamh Ann Kelly
Submissions from 2002
A Survey of Four Contemporary Sound Artists, Mark Garry
Susan Philipsz, Profile, Niamh Ann Kelly
80:80 Office Furniture System Designed by John Walsh for Tangent Furniture, 2002, John Walsh