Submissions from 2023
Women’s Stories Transforming Understandings of Abortion, Amy M. Walsh
Submissions from 2021
Handouts don’t exist. Hustle or you don’t eat., Conor McGarrigle Dr.
Flesh and Circuit: Rethinking Performance and Technology, Conor McGarrigle and E L. Putnam
Affiliated issue with 2020 College Art Association Annual Conference, ‘flesh and circuit: rethinking performance and technology’ (Chicago, IL, USA), Conor McGarrigle Dr. and E.L. Putnam
Fear Of Missing Out: Performance art through the lens of participatory culture, Katherine Nolan
Submissions from 2020
Femagogical Strategies in the Art School: Navigating the Institution, Barbara Knezevic and Amy Walsh
Submissions from 2019
Systems in Play: Simon Nicholson's Design 12 Course, University of California, Berkeley, 1966, Tim Stott
Submissions from 2018
Art Interventions and Disruptions in Financial Systems: an Interview with Paolo Cirio, Marisa Lerer and Conor McGarrigle
Insurgent Finances: An Interview with Gabriela Ceja and Fran Ilich, Marisa Lerer and Conor McGarrigle
The US’s Economic Promises Are Over: an Interview with Miguel Luciano, Marisa Lerer and Conor McGarrigle
Art in the Age of Financial Crisis, Conor McGarrigle and Marisa Lerer
Laboratoire Déberlinisation: Art, Finance, and the Legacies of Colonialism in Contemporary African Art: an Interview with Mansour Ciss Kanakassy, Conor McGarrigle and Marisa Lerer
When attitudes became toys: Jasia Reichardt’s play orbit, Tim Stott
Submissions from 2017
The Question of Fiction – Nonexistent Objects, a Possible World Response From Paul Ricoeur, Noel Fitzpatrick
Walking Code, Conor McGarrigle
How Things Grow: Gabriel Orozco’s Samurai Tree: Invariants (2005), Tim Stott
Submissions from 2016
PIVOT Dublin: A Discussion on the Bid for Dublin to Become World Design Capital, Barry Sheehan and Ali Grehan
Submissions from 2015
Criticality in Graphic Design, Clare Bell
And Or Not – the system, the body and time, Brian Fay
Preserving Born Digital Art : Lessons From Artists' Practice, Conor McGarrigle
Knowledge Management: Collaboration versus Concentration in Open Plan Workspaces, John Walsh
Submissions from 2014
Locative Histories: exploring the continued influence of early Locative Media Art, Conor McGarrigle
Submissions from 2013
Knowing Knowledge, Noel Fitzpatrick
Augmented Resistance: the possibilities for AR and data driven art, Conor McGarrigle
Forget the Flâneur, Conor McGarrigle
The Need for Close Looking, Tim Stott
Submissions from 2012
Buttering up the British: Irish Exports and the Tourist Gaze, Mary Ann Bolger
Word and Place in Irish Typography, Brian Dixon
Can Design Thinking Have a Social Life Through Networking?, Brenda Duggan
Reconsidering the Avant-Garde Through Ritual, Clodagh Emoe
Motionless Monotony: New Nowheres in Irish Photography, Colin Graham
Disassembly, Todd McLellen
On Creativity, Kerry Meakin
Declan Clarke’s Fantasies, Tim Stott
Submissions from 2011
The Designer Who Started a Print Revolution. Remembering Steve Jobs., John O'Connor
Submissions from 2010
Reappraising the Disappearing Body and the Disembodied Eye Through Multisensory Art, Maria Coleman
The construction of locative situations: locative media and the Situationist International, recuperation or redux?, Conor McGarrigle
Critique of Archival Reason: Research Report, Tim Stott
Submissions from 2008
Art in the Life World, Review, Niamh Ann Kelly
Submissions from 2007
Finding Time: How it is Made Visual Artists Newsletter, Brian Fay
Michael Craig-Martin, Review, Niamh Ann Kelly
Loving Art, Tim Stott
Submissions from 2006
Jaki Irvine, The Silver Bridge, Review, Niamh Ann Kelly
Submissions from 2005
Design Principles: Attractive Bias Written Report, Peter Dee
Design Principles: Continue with Critiquing: Written Report, Peter Dee
Director Transporting Project: Written Report, Peter Dee
Macromedia Director Audio Project Research - Written Report, Peter Dee
Movie Web Project Written Report, Peter Dee
My dog Patch! Website Written Report, Peter Dee
Short Animation Project Written Report, Peter Dee
Submissions from 2003
Lorna Simpson, Review, Niamh Ann Kelly
Submissions from 2002
A Survey of Four Contemporary Sound Artists, Mark Garry
Susan Philipsz, Profile, Niamh Ann Kelly
80:80 Office Furniture System Designed by John Walsh for Tangent Furniture, 2002, John Walsh