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Submissions from 2019

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SUNÉSIS: Evolving Aesthetic Discourse in Traditional Music Practices In Ireland, Nollaig Ó Fiongháile

Submissions from 2018

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A Phenomenology of Collaboration in Contemporary Composition and Performance, Paul Roe

Submissions from 2017

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A Contextual Analysis of Solo Bass Clarinet Music by Irish Composers, Marcella Barz

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A Portfolio of Compositions, Anne-Marie O'Farrell

Submissions from 2016

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Jane O’Leary and Her Approach to Contemporary Music for Clarinet and Bass Clarinet, Pablo Manjón-Cabezas Guzmán

Submissions from 2013

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The Influence of Plainchant on French Organ Music after the Revolution, David Connolly

Books from 2011

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Music Composition Portfolio, Daniel O'Neill

Submissions from 2009

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A Case Study of Student Engagement in Collaborative Group Learning in a Blended Community Based (Service) Learning Module, John G. McGarrigle

Submissions from 2008

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Etha Barror: Profile of a Successful Choral Conductor, Niamh McDonagh

Submissions from 2007

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A Phenomenology of Collaboration in Contemporary Composition and Performance, Paul Roe

Submissions from 2003

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Flute Performance and Pedagogy in Dublin 1950-2000, Ciaran O'Connell

Submissions from 2000

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The Flute Sonatas of Thomas Roseingrave (1688-1766), Brid Grant

Submissions from 1999

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The Flute Music of Luigi Zaninelli, Julie Martin Maisel

Submissions from 1998

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The Melodies of Francis Poulenc: a Selective Musico-literary Study, Elizabeth Nolan

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A Comparative Analysis of Instrumental Teaching Provision in the Republic of Ireland, Northern Ireland, Scotland and Denmark, Rachel Nolan